Showing posts with label Frankie Cheah. Show all posts
Showing posts with label Frankie Cheah. Show all posts

Friday, August 26, 2016

Vinyl Record Sleeve Art From Singapore

                    
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Some Sleeves Speak

Vinyl is back with a vengeance and I'm glad I kept my lot, especially the local ones because they have become a rarity these days. While some enthusiasts are buying used vinyl, others are buying newly pressed ones.  In 2014 alone more than one million new vinyl has been sold worldwide and up till now, if website figures are correct, up to four million vinyl have left the record racks. 

A young man who bought a vinyl record was asked the reason why he didn't buy the album on-line. His reply was simple, "The art work on the cover is worth it all..." 

Record covers are works of art and if you love the 60's, their prints are emboldened either on large 12 inch LP canvases or on 7 inch EP squares but broad enough to be framed and hung on the apartment or house walls.  

The record covers below, with drawings of our local stars, are commonly found, even a few years ago, but are hard to come by today.  All the figures are hand drawn by artistes unknown but must definitely have been our own local Singaporeans. For this posting I could only credit one artist that I have acknowledged under a sketch. Very sad.
                                                 Image 3
The blog images published on this posting are not very clear, coming from the home printer and computer but close enough for you to guess who the singers or bands are.  So, just for fun, especially those who are new to local 60's music celebrities, try to guess who the groups or singers are.

This particular piece (image 3) was done in black and green,  with strong lines featuring the singer's hair, shoes and semi-solid guitar. In the background are smaller drawings of the same person with different guitar poses.  The lines are a clear  where the black colours meet and sufficient to create the atmosphere needed. 

A top gun from Malaysia, this singer was a school teacher from Johore Bahru. Great voice, with personality plus, he used to woo the young ladies with his, Woman In My Life, one of his top hits. The photographer and designer is Freddy Ang. It is an EMI Studio Recording.


                                           Image: 4           
This next one (image 4) is more a caricature of the group and the drawing features the detailed faces of each member, holding his own musical instrument. The lead singer is sitting on a diamond, symbolic of the group. Hard to tell if they are Asians or otherwise but definitely a neat piece that could be hung on the wall.

They did not cut too many vinyl records but first recorded in Singapore in 1965. The boys became local celebrities when they appeared on television and became known on radio and Rediffusion.  They have appeared down under in Australia. Apparently the singer's compositions (sitting in the middle) were well known in the Far East. From Philips, the caricaturist is not credited.
                                                     Image: 5
A personal favourite (image: 5), it looks like a water colour painting. But it is a subtle piece and uncommon for a local record cover. Colours are relaxing to the eye and of pastel shades. The singers are recognizable.

Yes, this group became well known first with one group name and then hit the high notes with another when they were in Europe for many years. The above image shows the four on a record sleeve and they covered a Beatles number and a Bee Gees top hit.  The vinyl is a pirated version from King Record and there is no credit given as to who the artist was.
                                                     Image: 6
Is this a charcoal sketch (image: 6)? Looks like it. Dark, bold and strongly engraved, the drawing explains the two songs recorded. Yesterday's Sorrows (black colour) and Four Corners of My Life (four heads forming the corners). A strong piece indeed and with very bold lines.

This band started in the 60's but went straight on to the 70's stronger than ever. They wrote their own songs. A well-known group, they had cut quite a number of original hits. Produced by Life Records, this Libra vinyl should have had the artist credited. 
                                                    Image: 7
The original cover (image 7) shows the sheen on the singer's batik shirt, a beautiful purplish blue. It is well drawn and the facial features are identical to the person himself. The belt looks natural and typical of the 60's. White pants go well with the batik. Very local styling. I like the jacket that looks like leather, carelessly hung on his shoulder. 

Second prize winner of RTS Talentime 1968, this gentleman was known as The Man From Bukom. Voice, smooth as Johnny Mathis, he captured everyone's heart with his rendition of Born Free and became a regular on radio, Rediffusion and on television. He could be heard singing even during the Malay programmes in Singapore and Malaysia since he is bi-lingual. Again, the artist was not credited but it was an EMI Recording.
                                                Image: 8
This particular record sleeve art piece (image 8) is so famous anyone familiar with Singapore music will know who the group is. Possibly drawn for this internationally famed company, the colours and textured patterns take us back to the 1970's. 

Different coloured jeans prominently featured proves what the company is trying to project and sell. The focus is obvious. It's a beautiful commercial print and I wish I had a larger copy of this picture.

The group is the same one that was written about earlier on this posting. Can you guess which one?
So there you are folks, beautiful pieces of sketched memory for you, drawn from unknown artists of the 60's and 70's and now masterpieces (for me that is). 

You might know who the singers and bands are, but do you know who had drawn the art pieces?

If know the artists or if you are one of them please write in. I'd love to meet you. 

This posting is similar to one done on 23/06/2011 but with a different emphasis.
   Frankie Cheah, Western Union Band, Ray Johnson n Diamond Four, Surfers,                                             Sugiman Jahuri, WUB.

Images: A Private Collection, Google.
You Tube Video: sarinafanclub09
                     Frankie Cheah and Sugiman Jahuri EMI Muzikarama

Wednesday, September 07, 2011

Shao Fong Fong Sings In Impeccable English





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(Josephine Shao, Siew, Xiao, Siao, Fong Fong, Fung Fung, Fang Fang. The same name but spelled differently.)

I had often seen 60s Hong Kong movies which starred Siew Fong Fong and it didn't matter then whether I understood the language or dialect that the script was in. She was a joy to watch and what attracted me then was her pretty face and her ability to entertain her audience with her Jane Bond kiss-bang, wuxia chops, sword-wielding choreography, and hippy-hippy-shake dancing.


Examples were movies like SwordsOf Swords, I Love A-Go-Go, The Lady Killer and much more. She was one Chinese actress that most fans in the 60s would remember. On the silver screen, Josephine Siao was a major star in both Mandarin and Cantonese movies. In that decade alone she had acted in more than 200 movies and those days the Hong Kong film studios churned out films like factories produced chopsticks. Personally, she felt manipulated, like a "puppet."


Delving into her life and history, I found that she was born in Shanghai in 1947 with a career spanning some five decades, from her beginnings as a child star up till the highly respected professional that she is today. She was the most popular princess in the group of actresses termed the 'Seven Cantonese Princesses' and became one of the biggest teen idols in Hong Kong along with frequent co-star Connie Chan Po Chu.


Unlike many child stars, Siao made a successful transition to adult stardom, winning so many awards and remaining one of Hong Kong's most prolific and popular actresses today. Having largely missed out on a formal education because of her acting career as a child, Siao pursued her studies in later years despite the handicap of increasing deafness and the demands of raising a family. She holds an MA in Child Psychology and is also a published author.


Digging into my drawers lately, I managed to find some western pops by Shao Fong Fong on EMI vinyl (images). And the recordings were proof enough of the fluidity and ease with which she used the English language. The lyrics were beautifully enunciated and her gentle, soft but clear voice was sufficiently suitable for the covers she was interpreting as she delivered them with grace and dignity. These few western covers she did were a contrast to many of the Cantonese and Mandarin songs she had sung on screen and those recorded on other vinyl labels.


Her diction and phrasing reminded me of Malaysian teacher and pop singer Frankie Cheah's English language recordings on EMI. (Click 'Frankie Cheah on 'Label' below to read the posting.)


Vinyl Notes: EMI ECHK 527 (1969). Bluer Than Blue, Who Will Buy this Wonderful Morning, Running Free, Goodbye. EMI ECHK 523 (1968). L.O.V.E, Love, Ding Dong Song, Kiss Me Goodbye.Images/Original article: Andy Lim Collection. Information from Websites.


*Notes from a Website about the actress:


Josephine lost all the hearing in her right ear at age two and has become nearly deaf in her left ear since 1990 so decided to retire for good. Fredric Dannen relates the following about his meeting with Josephine Siao - who he noted has impeccable English.


"At her request, we met in the conference room of a hotel, because, she explained, 'my gadgets do not work so well in noisy places.' Siao did not seem to miss a word I said, and I thought perhaps she had exaggerated her condition until Ann Hui (the director of Summer Snow) later told me that Siao often has to lie down after a conversation because the strain of using her hearing-aid left her exhausted. I was all the more amazed at Siao's acting skill - her deafness is indiscernible in her movies - and all the more grateful for her interview."

Images: Andy Lim Collection.

Video: justiniong1120.

COMMENTS 2019:

Angela Leow:
I remember the classic Mandarin song sung by her 世上只有妈妈好。 It was my fav mandarin song when I was a child


Michael Lee
Hi, Andy she and co-star Connie Chan Po Chu were my favourite actresses till today. Yes, she sings well in English with excellent diction. She has hearing difficulties. Like her, I have hearing difficulties too. Often unable to hear things properly except music.
Cheerio


Stephen Han
Used to watch Josephine Shai Fong Fong And Chan Poh Chu’s Cantonese movies with my wife at Metropole, Jubilee and Marlborough theatres in the 50s and 60s. Agreed with you she can sing in Cantonese as well as English. She is a good actress too like her role with Jet Lee in an action movie. Sad she’s hard on hearing


Andy Young 
Thank you all who LIKE this post about our lovely lady. And to Angela, Michael and Stephen appreciate your comments about SFF. I'm learning so much about the Chinese singers from FB friends like you. All comments will be posted below the blog story permanently. Appreciate.

Michael Lee 
Hi Andy as I have always said, when you have real talents, you have the ability to overcome many odds and do incredible things many often think not possible. Fong Fong is one of those truly talented. 

People who didn't know Fong Fong, but just watch her movies or singing wouldn't have known that she had hearing problems. Despite her hearing handicap, she was still able to be a successful and accomplished actress and singer. This is the real difference between a truly talented and the average ones, the ability to overcome incredible odds. Cheerio.
The classic Mandarin song by her 世上只有妈妈好。 A favourite mandarin song when I was a child: Angela Leow. Video from DoreenChoo.
                           
Andy Young:
Thanks again, Michael. 
The comments you make opens a whole new world to readers who are not familiar with 50s music, especially ones from HongKong and the mainland.

Stephen Han:
I remember the Hong Kong music scene as I watched “Enjoy Yourself Tonight produced by Robert Chua. I used to purchase LPS by Kong Ling and The Fabulous Echoes from Kwang Sia Record Shop. I also watch Cantonese movies of Chan Poh Chu, Nancy Sit, and Shu Fong Foong. Sometimes these stars appeared live in theatres. The Ku Mei concert at Gay World was good but it attracted only a handful of the crowd.

Andy Young 
Again thank you, Stephen. It's taking us all back to the late 50s and early 60s. Your vivid and detailed description of the crowd, stars and record shop show your first-hand knowledge of the activities then.

Michael Lee 
Yes, Stephen, those were the days, Enjoy Yourself Tonight, Kwang Sia Record Shop and those Cantonese movies especially of Chan Poh Chu and Shu Fong Fong. These two were my heartthrobs. One other was Ivy Lim Po. Cheerio.

Thursday, June 23, 2011

Singapore 60s Vinyl Covers Are Works Of Art: Pt 1


Glasses, large collar, scarf, bell-bots.



















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22 CHATS, COMMENTS

The 3 vinyl cover images above are taken from my record collection of Singapore, Malaysia and SE Asian 60s and 70s pop music stars and they fill my drawers to the brim. What amazes me is the illustrative work done by some of our graphic designers who had taken time and trouble to draw these pieces of art.

The images shown are only samplings of the hundreds of local record covers that have hand-drawn portraits. Frankie Cheah, The Quests and Sugiman Jahuri are some of the musicians who have credibility in the 60s to attract record buyers with their own rendition of imported western music.

The first vinyl cover shows Johore (Malaysia) teacher Cheah's hit single Woman In My Life (image 1: S-CHK 1074), with Denver on the flip. Produced and marketed by EMI/Columbia, the music was arranged and produced by Reggie Verghese/Kassim Masdor.

The photography and illustrations were by Freddy Ang. The white bold lettering with light green background announces the stylishly drawn image of the singer and guitar who appear in black and white.

Psychedelia a-la Singapura


















As hippie music invaded SE Asia, a new release in March 1968 by EMI had The Quests instrumentalizing 4 Asian songs (image 2: ECHK 587) with new psychedelic sounds*. The cover shows the usual flower-power design significant during that period of pop music.

Psychedelia was rearing its head, and as the EP sleeve shows, only the ladies in Singapore could have long hair, not the guys. This time 4 colours were used, a dull greyish blue and black contrasting the yellow flowers and white faces. The illustrator of this intricately designed cover was not named. Pity. The songs in the Quests EP are The Indian Maid, Return Of Spring, Sayonara and Why Go To The Temple.

In 1968 when the man from Bukom Island (Singapore) took second prize in the Radio Television Singapore Talentime, he recorded four sentimental songs. Sugiman Jahuri became an overnight sensation and a sketch of the man appears on the cover of EMI record (image 3: ECHK 593).

Sugiman in purple batek. No kampong Bukom boy here!
The detailed yet simply crafted portrait of Sugiman with his suede-coloured spring jacket, purple batik top, white pants and loose belt echo his easy going singing style and fashion of the day. Again the original illustrator is unknown but the design and photography was by Unigraphic Studios. Songs on EP: Look At You, It's Not For Me To Say, You Make My Life Worthwhile, Born Free.

So, even before the advent of Lucas Films and Walt Disney Films in Singapore today, we had our stable of talented illustrators who have done justice with their creativity. 

Woman in my life: Frankie Cheah.
YouTube Video from: Tabir Alam

Images from iPhone4: EMI Records (SE Asia Limited).

Original article/record collection: Andy Lim.

*Thanks to Jap Chong, well-known music personality and Quests rhythm guitarist, who personally explained to me the use of the fuzz-box on this recording.

Monday, April 26, 2010

Frankie Cheah - To Sir, With Perfect Diction

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LATEST NEWS: 28 February 2022.

Frankie Cheah, from a video I saw on What'sApp, is still around and well.

"I'm alive, I'm alive," he confirmed with his wife beside him.

Be careful of fake news. But trust my blog. Always read it first.

Cheers!

26/04/2010.

SONGS I LOVE:

When I heard Frankie Cheah, a Malaysian Chinese, singing *Woman In My Life for the first time, I didn't believe he is Asian. He has perfect diction that is practically non-existent amongst singers in this region, with a strong and clean voice to match, one that suits the ballads he sings. His interpretation of this lovely song has an appeal that is still fresh today. It will definitely be a big hit if released again and is one of the very few songs by a local singer that I appreciate.

Frankie Cheah was a mathematics teacher from across the causeway at Segamat, Johore Bahru, Malaysia and recorded with giant EMI. His other big hit, Cheryl Moana Marie, also won accolades and Cheah is as much a household name in Singapore as he is in Malaysia and the region. During pop concerts in Singapore, Cheah's performance usually draws a full house at the National Theatre (Tank Road), the Early Bird and Musical Express gigs at cinema halls in Singapore.

In the early 70s, besides recording in EP and LP format in English (produced by Reggie Verghese of The Quests), he has also recorded some Malay songs. His English selection includes popular ballads like Chotto Matte Kudasai, It's Impossible, You've Got A Friend, Lovers, Help Me Make It Through The Night and Will You Still Love Me Tomorrow.


The above image shows a bootleg EP which has My Name Is The Wind, Love Story, Song Of A Sad Man and Why. Because his records sold well, as they were all number one in the Malaysian Top 20 in the early 70s, the Pirates took advantage as usual.

Even with his Malay album, Cheah sings with feeling and conviction keeping to the difficult rhythm of the Malay 'asli' beat. The selection includes one very popular EP with Amalan Suci (ReggieVerghese/Ismail Haron). The other three songs are Putera Putri (Jimmy Boyle/Dol Baharin), Putus Sudah Kasih Sayang (P. Ramlee) and Syurga Pura Pura (Ismail Haron).

Cheah has since retired but his achievement in the pop music field did not go unnoticed as he was recognised by the Malaysian music industry and awarded the Anugerah Sri Wiramar (2004). He was at EMI (UK) in 1977, headhunted by Warner Music, Malaysia and managed it a year later. When he left, he started Pacific Music which was bought by BMG Malaysia/Singapore where he rose to Chairperson.

*Has been recorded by Bobby Vee, Engelbert Humperdinck, Dutch group called, Left Side.

Information: YouTube/keithyoong.

http://www.youtube.com/watch?v=METjtMKnUUM

Image/Article: Andy Lim Collection.