Showing posts with label Richard Tham. Show all posts
Showing posts with label Richard Tham. Show all posts

Sunday, July 19, 2026

Singapore Andy 60s Amapiano Music: In Cape Town With Richard Tham

What is AMAPIANO music? Check it out!
A Million Thanks To Richard Tham For Sharing His Sea Journey 
That Included South African Music, Dance, Food And It’s People.


AMAPIANO MIX 2026 🔥 BEST PARTY VIBES 
 AFRO FUSION HIT AFRICA MUSIC HUB
 

100 Day Ship Journey-> 10 Countries-> 3 Continents:

Andy recently asked me to write about my 2026 voyage — a 100-day journey through 10 countries across three continents. My first thought was, "Where do I even begin?"

There were so many remarkable places and unforgettable experiences that I realized I did not need to tell the whole story. I only needed to share the moments that stayed with me.

An evening in Cape Town, South Africa, was one of them.


The Music- >

My son treated me to dinner and a cultural show. From the moment we arrived, the aroma of grilled food, the sound of laughter, and the steady beat of African drums created an atmosphere that was warm and inviting.

As dinner was served, the performers took the stage. Their colourful costumes, energetic dancing, and powerful singing immediately captivated the audience. Before long, people were clapping, humming along, and some even got up to dance. This was not the kind of performance where everyone simply sat and watched. 

One style of music that especially caught my attention was Amapiano. Born in South Africa's townships, it blends influences of Kwaito, jazz, house music, and local rhythms. Its smooth piano melodies, deep log-drum basslines, and laid-back grooves give it a distinctive sound.


The Dance- >

Listening to it reminded me of the infectious hit, "Mnike", performed by Tyler ICU, which helped introduce Amapiano to audiences around the world. Hearing those rhythms performed live made it easy to understand why the genre has become a global phenomenon—it is almost impossible to resist joining the dance floor, whether one has rhythm or not

Dance itself felt like a language. The gentle bounce, expressive footwork, and playful interaction between performers and audience turned every song into a conversation. There was no "wrong" way to move — everyone was simply invited to join the fun.

African shaped meal that tastes so good.
Food on board changes all the time.
The Cape Town meal below:


The Food- >

The food surprised me just as much.

I had not expected to find flavours that reminded me of Southeast Asia. Alongside familiar treats like samosas were bobotie, a South African favourite influenced by the culinary traditions brought to the Cape by the ancestors of today's Cape Malays, who arrived from Indonesia and Malaysia during the 17th century. It was a pleasant reminder that cultures often overlap in unexpected ways. Those familiar flavours, in a place I had imagined would feel completely different, made the evening even more memorable.

Sharing a meal while enjoying the music and performances made the night feel less like a show and more like a celebration with my son and our friends. It reminded me that in South Africa, music, dance, and food naturally belong together.

Together, they created an experience that felt open, joyful, and welcoming. The music sparked the celebration, the dancing drew everyone in, and the meal kept the conversations flowing.


The People->

When I think back on my time in South Africa, I do not just remember what I saw. I remember how I felt—welcomed, included, and immersed in the joy of the evening.

For me, that dinner was far more than entertainment. It was the best introduction to South African culture I could have asked for.

Sometimes, the best way to understand a country is not through its art galleries, museums, or monuments, but by sharing its music, joining its dance, and sitting down to eat with the people around you.

Author, Artist: Richard Tham

Author, Richard Tham with Blogger Andy.

Images- > Google and Richard Tham.


Thursday, November 06, 2025

Andy 60s Music Blog: Singing Contest @ Singapore Conference Hall: By Author, Artist: Richard Tham.

Pamphlets promoting the event 
and the teenager decided to participate.

Author RICHARD THAM wrote this story and 
sketched the picture of Johnny Mathis above.

UP TO 600 VIEWS, 18 COMMENTS

I asked my unassuming and quiet friend Richard if he could write a story for this blog. His response was positive and immediate but said he'd rather draw than write. I asked if he could do both; so here he is, with his very unique story. Why is it unique? Figure it out dear reader and write to us. 

Thank you, Richard. You're really special... 

It's Not For Me To Say:

"During his Pre-U days, a teenager, walking down Shenton Way, saw an advertisement for a singing contest. His friends encouraged him to enter the competition.

The year was 1966. The most talked about music event, the Eurovision Song Contest 1966, originally known as the Grand Prix Eurovision de la Chanson had ended in March in Luxemburg. It was believed that a local Sikh entrepreneur hit upon the idea to hold a singing contest in Singapore. He named it the Euro-Asian Singing Contest.

The teenager sailed through the preliminary rounds. He was very excited as he entered the Singapore Conference Hall to participate in the semi-final.

Singapore Conference Hall: 1960's

Backstage he met fellow contestants and they exchanged greetings. He started chatting with Mr. Lim, a schoolteacher. Mr. Lim said he would be singing 'On the Street where You live'. Looking at the young man, Mr. Lim said it would be more presentable to have a jacket on. However, Mr. Lim's jacket was far too large for the schoolboy. Mr. Lim managed to have a Malay contestant who is of similar build to the boy to lend his jacket. After his performance, the Malay man lent the boy his jacket.

When his turn came, the boy walked confidently on stage. He scanned the packed hall. His gaze drifted to a group of four men in the front row. They were pointing at him and laughing away. The boy froze! 

Literature taken from Archives of 
The National Library Board Singapore.



The Master of Ceremony (MC) introduced the teenager to the audience. He then asked him for the title of his song.

There was a long silence. Still dazed, the boy was unable to reply. The seasoned MC took a quick look at his queue card and joked.

"That's a good one! Ladies and gentlemen, our contestant here is bringing you one of Johnny Mathis great hit! The title of the song? 'It's Not For Me To Say!' Take it away, young man!"

The teenager courageously delivered his song. After the applause died, the young man left the stage, returned the jacket to his fellow contestant and headed straight home..."

Did you participate in one?
All comments welcome...

Author: Richard Tham [Copyrights Reserved]


Huge and colorful posters were not common in the 60's. 
In today's Singapore this poster could've been out on 
the streets and on the internet of course. 
[Pix above is just an illustration.]

Author, Artist and dog lover too.
Richard Tham.


The original singer and song of, 
'It's not for me to say,' Johnny Mathis.
YouTube Video by: hcapgolfer.

What is Talentime?
Click below:


Images: Google; WA/AI.