The a - Infos Radio Project - DJ Carlito's Blog

Hi Andy,

Thanks so much for the reply, and thanks for checking out my blog! Ive definitely been listening to Singapore and Malaysian music for quite a while now...

If you ever get the chance, please check out the weekly radio show (image) that I do in Richmond, Virginia, U.S. via the podcasts that I post too. Here's a good one featuring some Singapore/Malay/and Indonesian pop with rock and Hindi film music: http://www.radio4all.net/index.php/program/32168

Regards,

DJCarlito

(Andy says: Please visit this radio station for Singapore, Malay, Indonesian and Hindi film and music. It's quality stuff!)

The Antarctics Eunos Rahmat Talentime Winner

Eunos Rahmat, rhythm guitarist for The Antarctics (image: 2nd left) and his friend, won the 2nd prize for The Singapore Blue Diamonds Competition held in the 60s. The first prize went to the Gaylads (check out earlier post).

The singer and drummer for The Antarctics, S. A. Vinton, (image: 4th left) was another talented musician who composed numerous songs that were later recorded by The Quests, Sakura Teng and other top artistes in Singapore.

Singapore was an island of plenty in the 60s, where talents were raw but one which generated into a successful music industry that is now forgotten.

Eunos Rahmat is now a successful food entrepreneur dishing out delicious Malay/Padang cuisine at MacPherson Road. The restaurant is always crowded.

(Another successful Manhunt completed.)

Singapore 60s Music Talentime For The Masses

A singer and his accompanying band participating in a Singing Contest in Singapore. The group is formatted with Cliff Richard and the Shadows ideal but it is not a regulation. 

Various organizations in Singapore, both public and private ones, held talentime competitions regularly. The Housing & Development Board was no exception. Image shows a talent contest held in 1964 as bands were many and singers in demand.

Winning a talentime competition could make an exciting but unstable career for musicians and singers. Some of them participated for the fun and excitement it provided. The Quests, The Jets, The Burns, The Antartics, Gaylads, were some of the groups that had won a talent competition.

The term 'talentime' was coined by radio personality Kingsley Morrando [above] in the late 50s when he organized such shows to promote singing talents those days. Morrando was a broadcaster working at Radio Malaya (Singapore) studios. He was also a popular radio announcer (term today is 'DJ' = Disc Jockey) in a pop music request programme called, 'To Each His Own'. He even had a company called, ‘Talentime’ at Shaw House. Good friend and well-known Rediffusion broadcaster Larry Lai confirmed this information. An on-line article mentioned that it was one Tony Beamish, the Radio Malaya English Programme Supervisor then, who coined it. 

Among the music youths in the 60s, it was an important word but whether it is accepted officially as part of the English Language vocabulary is another question, either in the UK or in America. Anyone?

Image: The National Heritage Board, Singapore.

Original Article: Andy Lim.

Ambassador Hotel As Lovers Move In Shadows

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The Ambassador Hotel, opposite Katong Park at Meyer Road near the East Coast beaches, was the rendezvous for lovers. The hotel had a roof garden, with Singapore 60s guitar groups or combo bands playing music by The Shadows, Cliff Richard, Elvis, The Beatles and other superstars.

Many combos and local bands used to entertain patrons in this hotel with "Wonderful Land", "Sleepwalk" or rebel rousers like, "Shindig", The Young Ones", "Guitar Boogie" and "Twist And Shout." Dancing under the stars was always the theme and youth had its days when the bands floored the dancers with both hot and cool music.

Sleepwalk the original Shadows version that reminds me of the sweet times we had at the Ambassador.

I remember going there with some good friends where we spent the evening over one or two drinks that cost about $6.00 a glass. My favourite drink is rum and coke, a drink I am told that attracts medical problems like diabetes. The ladies we came with were friends and colleagues that had come to support guest bands that played on a particular weekend.

There was an evening where we made floor space for the versatility of the Sunny Low Dancers, the slim young man with the built, grace and charm of Gene Kelly. This particular dance place or nightclub was on another floor in the hotel; correct me if I am wrong, the sixth floor if I remember.

Oh yes, Katong Park and the beach were downstairs and it was a slow, five-minute walk to seclusion and privacy. The hotel is gone now but the memories remain.

Image: National Heritage Board, Singapore.

Original article: Andy Young.

Anneke Gronloh, Blue Diamonds @ Good Park Hotel

Images of Anneke Gronloh and The Blue Diamonds - Rudy and Riem De Wolff - at the Goodwood Park Hotel, Orchard Road, where the trio was staying. 

At that time, the three personalities were at the top of their form, flying in and out of Singapore from either Indonesia or Holland where they originated, to perform at the Badminton Hall, the Indoor Stadium at Kallang or at the hotel itself. 

They also had close connections with Singaporeans, finding the island a safe haven for their performances, recordings and family connections.

These superstars of Singapore 60's were at the hotel for their performance on the island. The photographs were taken in February and December 1962.

Images: 
National Heritage Board Singapore Website and Straits Times Press, Singapore

Amber Mansions, Celestial Room Andy n Silver Strings

The image is of Amber Mansions, at the entrance of Orchard Road (left), where guitar groups played in the mid 1960s during Tea Dances at The Celestial Room on the floor above. Art galleries, quaint decor outlets, coffee houses and restaurants are terraced on the floors below. It was a place where the young nineteen sixties crowd would want to be seen at.

The Silver Strings was the guest band for many months at the Celestial and we had a taste of what tea dances were like when we performed there. It was a baptism of fire because it was the first time when the band had a regular weekend stint. We started off as a band that took over the resident one in between sets of 45 minute sessions. Sometimes there were as many as five sets per night.

Silver Strings in later years had Mike And Herb

 to sing their own original songs: 

'Don't Want You Around Anymore'

YouTube video from Audie Ng

The band's repertoire consisted of song hits like Apache, Kontiki and slow dance music like, Wonderful Land and I would take over with, When The Girl in Your Arms but heat up the Room with I Saw Her Standing There. The music would always be a mix of Cliff, Shadows, Beatles and Elvis, if we can manage. About twelve songs or more.

I first introduced a song that was popular in the living room at home. It became a hit when the TV  series Fireball XL5, a sci-fi marionette-based show, became popular with Singaporeans. The title song became our calling card for some time and fans were asking for "Fireball" when we came on stage.

The lead guitar was DAVE CHAN and not Dickie Tan (above).

I was unable to acquire past photographs. This image is from a 2009 magazine.

The music was fast, the dancing was fast and so was the business. The brisk and efficient club ran for a while raking in some for the boss. He just knew what to do with his band of boys and with this novelty T dance craze.

The person in charge of Celestial Room was Mr Quek Sin Bock, a rather robust business man, frank and full of good cheer. He loved the band and I remember we turned resident and acquired more and more gigs from other nightspots. We were known as "Andy and The Silver Strings" and performed at the venue in the mid 60s, way before other bands did.

The building has since been replaced by Dhoby Ghaut MRT. 

Images: From The National Heritage Board Archives and Personal Collection.

"We're gonna rock, rock, till broad daylight, We're gonna rock around the clock, tonight."

Teresa Teng (鄧麗君) The East Asian Chinese Sweetheart

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Teresa Teng or Tang/Dèng Lìjūn (1953 - 1995) was exceptionally popular and influential as a Taiwanese singer. Her voice and songs are instantly recognizable in China, Taiwan, Hong Kong, Singapore, Malaysia, Thailand, Japan. "In areas where there are Chinese people, the songs of Teresa Teng can be heard."

As a young child, Teresa won awards for her singing at talent competitions. Her first major prize was in 1964 when she sang "Visiting Yingtai" from Shaw Brothers, at an event hosted by Taiwan's China Radio Station. 

Her career soared and she was able to support her family during Taiwan's new and developing economy in the 1960's. With family blessings, Teresa left school to pursue singing professionally. Nothing could stop this phenomenon as she soared in the world of Chinese pop.

She was known for her folk songs and romantic ballads and most of them have become classics even during her lifetime. She recorded many songs that are now staples of popular Chinese music; the most popular include "When Will You Return?" and "The Moon Represents My Heart."

In addition to her Mandarin repertoire, she also recorded songs in Taiwanese, Cantonese, Japanese, Indonesian, and English. She had, at one time, sold more albums than any other East-Asian singer but that record has since been surpassed.

Miss Teng was especially famous in China, where for much of the 1980's she was a litmus test of the political winds: when the authorities eased controls, her music sold briskly in little shops in the tiniest towns; when the hard-liners clamped down, her music was banned.

She was one of the first foreign singers whose music was swept into China after the country started opening up in the late 1970's, and she soon became a symbol of capitalist joys.

Known in Chinese as Deng Lijun, Miss Teng's surname was the same as that of Deng Xiaoping, China's paramount leader. So she was jokingly known as Little Deng, and in some circles, she was nearly as famous as he. Even peasants in the countryside were familiar with her songs and brightly coloured costumes.

Many other foreign singers became popular in China, but none captured the hearts of the country as she did. During her career, she entertained troops in her homeland with romantic ballads. Her songs were banned in China but with millions of bootleg copies, she was just as popular. Another saying explains that "Old Teng rules the day and Little Teng the night."

She has received many awards for her singing and there is also a foundation in her name. She died at the age of 42 as a result of a severe asthma attack while holidaying in Thailand in 1995.

YouTube: Teresa Teng video.

Article from: Sheryl WuDunn, Wikipedia and Websites in memory of Teresa Teng.
Images: Google.

Dr. Agnes Chan - Bopper With Beauty & Brains!

She would probably be an early Singapore 70s influence as her first hit was during that period but what intrigued me are the two new unscratched vinyls* I found in Sungei Road and the fact that she has a PhD. from Stanford University.

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Agnes Chan began singing and playing the guitar for fund raising events during her junior high years in Hong Kong. When she recorded a cover of Joni Mitchell's, "The Circle Game" with her elder sister, actress Irene Chan, it became the greatest hit on the island. She was only 14 and soon became a celebrity throughout South East Asia.

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Chan was taken to Japan by a Japanese singer/songwriter in 1972 and recorded her first Japanese pop hit, "Poppy Flower." She became an overnight sensation and a teenage idol. In 1973, Chan's third single, "Splendor in the Grass" earned her the Japan Record Grand Prix "Rookie of the Year" award. She is also known in Japan as, "the fairy who came from Hong Kong."
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There was a controversy about her motherhood and career so she wrote a thesis on the conflicts of working mothers and earned her Stanford PhD in 1994. She also added steadily to her public portfolio, writing newspaper and magazine columns, appearing on television news and game shows and raising money for charitable causes.

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*$2.00 for above vinyl (image) and EP 2124, which is Agnes Chan's Christmas classics, "All I Want For Xmas...", "Mr Mistletoe", "Rocking Around The Xmas Tree" and "The Little Drummer Boy". They are both on Life Records and the Xmas EP was arranged by a Wallace Chow.

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YouTube: agnes chan nobodys child (recorded at age 15, Hong Kong, 1971)

(Information from Agnes Chan websites, Wikipedia and Stanford University Alumni pages.)

Rita Chao: And A Letter From A Relative

Rita Chao, a very popular Chinese recording artiste from Singapore in the 60’s and 70’s, released both Mandarin and English records in Singapore and Malaysia. According to sources she also had many fans in Japan.

Ling Ying (凌雲) to her Mandarin-speaking fans, had the accompaniment of The Quests, an honour indeed since the group was the top band within that decade and recorded several hits for Rita Chao on the EMI label. She is fondly remembered by her knee-high boots, sexy miniskirts or alluring bell-bottoms.

She has demure features, truly a representative of the 60s era and cut a petite figure next to the more active Sakura. She has a sweet, soft and musical voice particularly suitable for the romantic ballads that she renders e.g. Butterfly, Happy Happy Birthday Baby, Sixteen Candles. Her rendition of The Thunderbirds' My Lonely Heart is exceptionally lamenting where she interpreted the song using Mandarin lyrics but with the same original backing accompanied by The Quests.

She does not possess powerful vocals, but these vocal folds do heat up the audience with her cover versions like Woolly Bully, Hanky Panky using Ooohs and Ahhs, especially with tight, heavy and rhythmic beat of The Quests. Rita was followed by both male and female fans everywhere she went.

On Sunday 23rd March, 1975 in the Straits Times Press Singapore, Rita Chao was reported to be leaving for Hong Kong to make a movie with comedians Wang Sa and Yeh Fong called, Professional Swindler, Genius Thief. During the interview she was remarked to have said that she was tired of singing all the time and would act in more films if this one proved successful.

She lives a very quiet life today and is still the subject of chatter on many followers lips as to her whereabouts.

On January 23rd 2009, I received a letter from a reader called Jane. She wrote:

*Hi Andy,

Rita Chao already retired from singing and by the way, she is a distant relative of my late dad. Sad to know that I last heard she was helping or working in a church in Yishun. Rita will be in her late 50's.
In the late 60's she did a performance in Penang, Malaysia together with Sakura. My late Ah Kor (elder brother) took care of them during their short stint of stay. Not sure if I can still find that old photo taken in Penang.

Cheers,
Jane
My reply:

Hi Jane,

Thank you for writing and apologies for not reading your letter earlier. If you are still reading this blog please write in when you can to tell us more, and if you still have that photograph let me know your email address so I can write to you.

Regards,

Andy.

Image 1 from Google: fRita Chao.

Image 2 from Google: Rita Chao (left), Sakura Teng (right).

*I cannot verify that the information provided is true and hold no responsibility for its authenticity.

Pete Seeger - Activist/Singer/SongWriter - 90

British 60s Pop Invasion Singapore - Engelbert

Yes, it's the man with the strange monicker, Engelbert Humperdinck. Arnold George Dorsey is of British descent but born in India. He invaded Singapore with his quiet British charm and smooth solos.

His release, "Release Me" on March, 4th 1967 became a hit when he teamed up with Tom Jones' manager. It stayed for 56 weeks on the Hit Charts in a single run and was believed to be selling 85,000 copies in a single day. It is also his signature tune and beat the Beatles, "Penny Lane"/"Strawberry Fields" Forever to the top spot. In other words he was the man who beat the Beatles.

"Humperdinck's deceptively easy going style and casually elegant good looks, a contrast to Tom Jones's energetic attack and overtly sexual style, earned Humperdinck a large following, particularly among women. "Release Me" was followed up by two more hit ballads, "There Goes My Everything" and "The Last Waltz", earning him a reputation as a crooner that he didn't always agree with (Wikipedia).

"If you are not a crooner it's something you don't want to be called. No crooner has the range I have. I can hit notes a bank could not cash. What I am is a contemporary singer, a stylized performer, " remarked the man.

By the 80s, he was performing more than 200 concerts a year and also won a Golden Globe Award for best entertainer of the year in 1989. He has sold more than 130 million records.

And so the awards go on. Like Tom Jones, he is as popular today. The man and his music live on.

Again, many impersonators of Engelbert Humperdinck can be found in Singapore. Are they still singing now?

Website: Engelbert.com

Extracts from Wikipedia as indicated*

Singapore 60s - British Invasion - Tom Jones

There is no discussion on 60s music without mentioning Welsh singer Tom Jones and another man of similar status, because they both appear at about the same period during the 60s. But while Tom Jones invaded Singapore with his British brawns, sexy image and powerful voice, the other swooned his fans with cool, quiet sensuality.

Jones' first song didn't make the hit charts but his second one did and soon everyone was singing, "It's Not Unusual", in early 1965. He went on to sing pop, R&B, ballads and soul with 54 albums, more than 390 hits and 100 million records, so check him out at his own website.

Tom Jones' impact on the Singapore's pop music scene still has local artistes singing and playing his songs today. Many songs have been translated into Chinese and Malay, or at least the melodies are similar.

There are also many Tom Jones impersonators in Singapore. One of them is Halil Chik and the other is Ismail Haron. Many singers with powerful voices are able to emulate the Welsh sex symbol. Jerry Fernandez, a popular DJ and MC, is another Tom Jones impersonator. He sings with the Neu Faces at the Singapore Cricket Club on Saturday afternoons.

Tom Jones is as active as ever on the world circuit, singing his own hits as he would have nearly 50 years ago. Sir Tom Jones is a living legend!

But who's the other one who hit Singapore 60s with as great an impact? Check the next post.

Image: http://www.jasondunn.com

Original article: Andy Lim

Robert Suriya Compositions: "I'll Always Love You", "That's All I Have To Say".

After his first successful recording, Henry Suriya recorded the second EP in 1967 and featured four songs including two originals by Robert Suriya.

Henry Suriya: From Boxing Ring To Golden Ring

Before Henry Suriya (image) became the pop crooner during Singapore 60s, not many fans knew he was a boxer. According to the newspapers then, he was an "amateur boxing champion who gave up trading punches for singing.

Henry Suriya had won many prizes in singing competitions but was also an expert at swinging competitions as he was feather-weight champ in the Singapore Youth Boxing Championships in 1957.

His father, who was also a boxer, urged Henry to give up the game and as an inducement presented Henry with a guitar on his 18th birthday. Henry never looked back, learnt to play the guitar and started singing sentimental songs.

During an interview with Henry, an old schoolmate, he wanted to emphasise that he only sings in his own original style. We all know that Henry. We have been listening to your songs for a long time now.

More about Henry Suriya in future postings.

(Interview by: Andy Lim. All Rights Reserved.)

Image: lst recording in 1966, accompanied by his brother Robert Suriya and The Boys.

                                                       Video by: Billy Ong

Malay Arts Festival - May Day 2009 11am (Free)

The Malay Heritage Centre will be the venue for a Malay Arts Festival from May Day at 11am. Admission is free.

P. Ramlee's classic film, "Pendekar Bujang Lapok" will be screened too. Yusnor Ef, the expert on P. Ramlee, will be holding a talk on May Day at 11am.

The Swallows (image, vinyl cover of La-A-Obe) will not be present but another kugiran will.

Melayu Pop Yeh Yeh 60an Swallows with Andy

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Most Successful Malay Guitar Group:

The SWALLOWS first line-up with ANDY YOUNG (standing, 2nd left) and their manager (bow tie) at the Victoria Theatre in 1964. The Swallows is one of the first and most successful *Kugiran Melayu Pop Yeh Yeh in the 60s. It was only after the success of this group that other Malay guitar groups followed.

*Kumpulan Gitar Ranchak Melayu [Malay Group of Energetic/Active Guitars).

Similar Management:

The particular photograph above shows The Swallows first line-up in one of their very first appearances. It was taken backstage with Andy since he sang with both the group and The Velvetones who were also under similar management.

Respected Gentlemen:

Andy was supposed to have fronted them and had performed once at the Victoria Memorial Hall in Singapore. He enjoyed being with them during the show. Personally, these boys were clean cut, exceptionally well-mannered and respected gentlemen both on and off the stage. Andy remarked that they were unassuming, fantastic guitarists and incomparable! No wonder they remained at the top after all those years.

Songs In English:

They were an exceptional team and received thunderous applause when the group was announced before they performed. Andy shared his magic moment during the occasion he appeared with this group. He sang two songs in English and was pleased with the accompaniment, which according to him, was perfect and gave him much confidence since it was the first time they were together.

Songs In Bawean:

They have cut many records since and were on the scene for many years. Kassim Selamat has one of the most popular Bawean hit ever, "La Aube" (La-O-Be), a classic today. Another hit is "Nga Lompak A-Go-Go". My favourite? "Mak Itti Mai Illa." Some of their records have been found to be on sale in certain parts of Europe.

Getting In Touch:

Andy has been trying to get in touch with some band members of the group and has not been successful. If you happen to be in contact with any one of them, please write in.

Andy has since contacted 3 members of the Swallows through Erwin Maisch - October 2010.

Senandong Malam - by The Swallows - one of their instrumental hits. A fantastic group indeed. YouTube video from hassny hussin. Thank you.

Image: Andy Lim Collection (All Rights Reserved).

Edited original article.

Video - hassny hussin.

Pop Melayu 60an - The Fever Never Dies

Tuesday May 13, 2008. The 60's fever never dies. By: Nik Naizi Husin.

KUANTAN: The Malay songs of the 60s remain fresh despite the onset of the contemporary music scene which is largely monopolised by pop songs...

The Government, in ensuring that classical Malay songs are not forgotten, is now targeting youths. To realise the mission, RTM, through its Klasik FM radio station, has been broadcasting songs from entertainers such as the late Tan Sri P. Ramlee (image), Puan Sri Saloma, Datuk Ahmad Jais, Datuk Sharifah Aini, Salamiah Hassan and Lilis Suryani who contributed in popularising the classic Malay songs.

“Our intention is to promote the interest among youths on Malay oldies, their lyrics and musical instrument used at that time and also the stars who made the songs popular. In the music scene, big names such as P. Ramlee and Saloma cannot be forgotten.

They still have followers and fans and some young singers preferred to sing their songs because of the beautiful composition of the songs,” said a TV Malaysia) Director. He said the mission was also an appreciation to the songwriters, composers, artistes and musicians.

The above article was written to promote a singing competition that created an awareness for 60's Malay music stars.

From: The Star Online, Malaysia.

UK 60s Music - "The Wedding" - Julie Rogers

You by my side,/That's how I see us,/I close my eyes,/And I can see us... I see the church/I see the steeple,/Your folks and mine..." And another British invasion of Singapore succeeded.

Julie Rogers (born Julie Rolls, 6 April 1943, London) is an English pop singer. She began her career singing with the Teddy Foster Orchestra with whom she toured the UK and US. She signed with Philips Records in 1964, and released her debut single, "It's Magic", soon after.

Her 1965 hit "The Wedding" went to number 3 in the UK Singles Chart, number 1 in Australia, and number 10 in the US and has sold in the region of 15 million copies to date. Apparently it is still selling and this success opened up the world to her and she has been touring ever since.

With the success of her major hit she was in demand to appear on television. She appeared as a guest artiste in every major show, such as 'Sunday Night At The Palladium' in the early days and guested with Tom Jones, Roy Orbison, Benny Hill, Tommy Cooper and many other superstars. Julie has also presented music shows for the BBC and continued to be a regular on the TV screens. She was in Singapore on October 25th, 1967.

Her song is still being sung by many seniors and some juniors in Singapore. It is specially popular at, you guessed it, weddings. Julie Rogers is a one-time-hit singer; or isn't she?
Reference: Wikipedia/Julie Rogers Websites.
Image: Julie Rogers Websites.

American Idol Ritchie Valens 1941-1959 Donna

Ritchie Valens (Vocalist/guitarist: 1941 - 1959)
Ritchie Valens left an impact as a rock and roll singer with the classic rocker “La Bamba", an old Mexican wedding song. It was so popular that “La Bamba”, although the B-side of “Donna,” (number 2 on Billboard’s singles chart), peaked at number 22. It was known as a double-sided smash and one of the greatest rock and roll singles of the 50s.

Valens was born Richard Steven Valenzuela in a Los Angeles suburb. He grew up with Mexican music, but loved black R&B vocal groups like the Crows, the Penguins and the Drifters and singers Little Richard, Bo Diddley and Buddy Holly.

Valens learned the guitar and joined the Silhouettes. In May 1958, he auditioned for Bob Keane, cut a few sessions at Gold Star Studios in Los Angeles and came out with his debut single, “Come On, Let’s Go,” but missed the Top 40 Charts then.

Valens’ second session produced “Donna” and “La Bamba." The song was a sweet, simple love song for a girl he knew and was “one of the classic teen love ballads.” With “Donna” rising in the charts, Valens made a trip to New York in December 1958 and appeared on Dick Clark’s American Bandstand and the Alan Freed Christmas Show.

Though “Donna” made Valens a star, it was “La Bamba” that would become most closely identified with the young Mexican-American rocker. “La Bamba” was a popular huapango (Mexican fiesta dance song). Valens put a rock and roll spin on this folk song, juicing it up with hot chilly pepper and so invented Latino rock.

The budding star was on a fast track and when pop star Buddy Holly chartered a plane to fly from Iowa, to Fargo, North Dakota, it crashed and claimed the lives of Valens, Holly, J.P. Richardson ("The Big Bopper") and the pilot. Valens, who was only 17 years old, left behind an influential body of work.

He was an influence on Singapore's 60s music and like other evergreens, "To Sir, With Love," "Born Free", "Love Without End", "Donna" is still being played to day in Singapore. Henry Suriya, Singapore crooner in the 60s and brother of Naomi and The Boys, recorded the song for one of his EPs. More about Suriya in future postings.

In 1987 a movie about Ritchie Valens called, "La Bamba" was released and starred Lou Diamond Philips.

(Article was edited and taken from: Rock and Roll Hall of Fame Museum Website).

Lin Dai: 林黛. Love Without End: 不了情: Bu Liao Qing

Linda Lin Dai [林黛]

26 December 1934 – 17 July 1964.

born Ching Yuet Yue [程月如],

A Mandarin song that is still being played today is, *Love Without End: [不了情: Bu Liao Qing]. Its haunting melody has mesmerised listeners for the past 60+ years and the song has become a classic not only with the Chinese crowd but with ardent fans internationally since 1961.

The movie itself, starring the heartthrob Hong Kong icon Lin Dai [image], was screened for months all over the Shaw Brothers circuit in 60s Singapore and like the song, she is legend.

Lin Dai, alluringly soft and beautiful, the only actress to win four Best Actress awards at the Asian Film Festival, made the song more poignant when she committed suicide on July 17, 1964. The song, the movie, the actress were on everyone's lips for a long time and sealed, Love Without End to become what it is today.

*The music is from the 30s to 60s shi dai qu (Chinese Golden Oldies) era. During that period, the songs and music were beautiful and technically very difficult to sing. 

"Most of the singers during that time were classically trained and had amazing vocal ranges,” said Mr Khor Seng Chew, Music Director from Dama Orchestra in Penang that had made good in Kuala Lumpur, Malaysia. He was in charge of a performance of Chinese Golden Oldies on April 8th 2006, at the E & O Hotel, Penang, Malaysia.

There are numerous websites in memory of Lin Dai and the song. Still in the minds of many followers, both will live, without end. And the song has been recorded by our local singers too.

Image/Original article: Andy Lim Collection.

YouTube Video: MrOldies.

[This article 

HD《不了情》1961 Love Without End 顧媚 

Lindai: Bu Liao Qing มีแปลซับไทย

YouTube Video by: MrOldies.

https://www.youtube.com/@mr.oldies3667

A Happy Lunar Dragon Year 2024 To You My Friend!