Showing posts with label Connection Music. Show all posts
Showing posts with label Connection Music. Show all posts

Sunday, July 19, 2026

Singapore Andy 60s Amapiano Music: In Cape Town With Richard Tham

What is AMAPIANO music? Check it out!
A Million Thanks To Richard Tham For Sharing His Sea Journey 
That Included South African Music, Dance, Food And It’s People.


AMAPIANO MIX 2026 🔥 BEST PARTY VIBES 
 AFRO FUSION HIT AFRICA MUSIC HUB
 

100 Day Ship Journey-> 10 Countries-> 3 Continents:

Andy recently asked me to write about my 2026 voyage — a 100-day journey through 10 countries across three continents. My first thought was, "Where do I even begin?"

There were so many remarkable places and unforgettable experiences that I realized I did not need to tell the whole story. I only needed to share the moments that stayed with me.

An evening in Cape Town, South Africa, was one of them.


The Music- >

My son treated me to dinner and a cultural show. From the moment we arrived, the aroma of grilled food, the sound of laughter, and the steady beat of African drums created an atmosphere that was warm and inviting.

As dinner was served, the performers took the stage. Their colourful costumes, energetic dancing, and powerful singing immediately captivated the audience. Before long, people were clapping, humming along, and some even got up to dance. This was not the kind of performance where everyone simply sat and watched. 

One style of music that especially caught my attention was Amapiano. Born in South Africa's townships, it blends influences of Kwaito, jazz, house music, and local rhythms. Its smooth piano melodies, deep log-drum basslines, and laid-back grooves give it a distinctive sound.


The Dance- >

Listening to it reminded me of the infectious hit, "Mnike", performed by Tyler ICU, which helped introduce Amapiano to audiences around the world. Hearing those rhythms performed live made it easy to understand why the genre has become a global phenomenon—it is almost impossible to resist joining the dance floor, whether one has rhythm or not

Dance itself felt like a language. The gentle bounce, expressive footwork, and playful interaction between performers and audience turned every song into a conversation. There was no "wrong" way to move — everyone was simply invited to join the fun.

African shaped meal that tastes so good.
Food on board changes all the time.
The Cape Town meal below:


The Food- >

The food surprised me just as much.

I had not expected to find flavours that reminded me of Southeast Asia. Alongside familiar treats like samosas were bobotie, a South African favourite influenced by the culinary traditions brought to the Cape by the ancestors of today's Cape Malays, who arrived from Indonesia and Malaysia during the 17th century. It was a pleasant reminder that cultures often overlap in unexpected ways. Those familiar flavours, in a place I had imagined would feel completely different, made the evening even more memorable.

Sharing a meal while enjoying the music and performances made the night feel less like a show and more like a celebration with my son and our friends. It reminded me that in South Africa, music, dance, and food naturally belong together.

Together, they created an experience that felt open, joyful, and welcoming. The music sparked the celebration, the dancing drew everyone in, and the meal kept the conversations flowing.


The People->

When I think back on my time in South Africa, I do not just remember what I saw. I remember how I felt—welcomed, included, and immersed in the joy of the evening.

For me, that dinner was far more than entertainment. It was the best introduction to South African culture I could have asked for.

Sometimes, the best way to understand a country is not through its art galleries, museums, or monuments, but by sharing its music, joining its dance, and sitting down to eat with the people around you.

Author, Artist: Richard Tham

Author, Richard Tham with Blogger Andy.

Images- > Google and Richard Tham.


Friday, August 22, 2025

Singapore 60s Music Comments About Our Own Veterans. From Clarence Chung.

Clockwise: Ravi Coopusamy, Chris Rodrigo, 
Victor Pillay, Ivor Lesslar, Nik Osman

UP TO 1,200 VIEWS,
     11 COMMENTS.    

I've had a blast working with these really battle-hardened veteran musicians. Truly an honor for a young man like me.

Chris Rodrigo, the supporter of local music and truly unbridled facial hair, stands tall and was the manager of the band for the day. Thanks Chris!

Ivor Lesslar is a tall Eurasian man who is much kinder than he looks. I swear he belongs to an ancient and rare breed of electric guitar players who is able to wield a Fender Stratocaster and coax beautiful and musical tones out of it. The other person whom I know belongs to this breed is of course Mr. Latiff Jalil with his fat Strat! 

Nick Osman plays a mean drum groove and its truly amazing how such loud and accurate tones can come out of such a small man. Standing in front of his drumkit, I felt my cranium almost explode from the tremendous volume of his kick drum. He's also the only drummer I know who walks around 24/7 with a metronome and headset and I am curious to know if he's also keeping time when having a conversation with people. 

A hardcore music/jazz lover and representative of the Indian ethnic group in the band, Ravi Coopusamy seems to be the baby of the band even when I am around. His childlike demeanor means that he is instantly forgiven on the occasion he tinkles the wrong notes on the ivories.

Maestro Victor Pillay calls himself an Indian Peranakan. I am completely blown away by his splendid piano technique, restraint and easygoing character. A gem in Singapore and hands down the best piano player I've personally worked with. 

Newer is not better. Different, yes. The old school cats are incredible team players in a band and they definitely have much to pass on.

Written by: Clarence Chung

18th January 2013.

Thanks so much Clarence. Hope you still remember this article you wrote some years ago. If you are still out there and reading this post, do write in again.

Andy.

22nd August, 2025.

Saturday, April 27, 2024

Andy 60s Music Asked WhatsApp Meta AI To Define: "Social Musicianship."

[1] Joining Larry Lai's Chat Group:

I had just joined Larry Lai's 'Music Lovers' chat group created on WhatsApp. After introducing me to the group I thanked him and the group with this reply:

Hello all, 

Thank you Larry for the welcoming introduction and for letting me taste a bit of group chatting. Never been in one before... I'm no musician, only a bystander and would love to learn the intricacies and designs of social musicianship.

Cheers. 

[2] What is 'social musicianship'?

I wasn't sure myself if I had used the right phrase, 'social musicianship' so I decided to ask my mentor Meta AI on WhatsApp. Here's my question and the reply I received: 

What is 'social musicianship'? 

Meta AI's reply:

What a fascinating question! Yes, there is such a term as 'social musicianship'. Social musicianship refers to the social and interpersonal aspects of music-making, emphasizing the importance of collaboration, communication, and community in musical performance and learning.

It encompasses skills like:

` Ensemble playing

` Improvisation

` Active listening

` Empathy

` Nonverbal communication

` Conflict resolution 

Social musicianship recognises that music is often a collective and social activity, and that developing these social skills is essential for successful music-making.

I hope that helps! Let me know if you have any further questions.

Thank you Meta AI.

And thank you folks for reading the explanation.

"Who can live without it, I ask in all honesty. What would life be, Without a song or dance, what are we? So I say thank you for the music, For giving it to me. [Abba.]"

Comments are welcome.

Andy with Larry Lai and young MediaCorp producer 
HH Tang, while discussing a television project 
we were supposed to participate in some years ago.

'Thank You For The Music' Abba
[Official Lyric Video]
YouTube Video from ABBA.