"Tunes That Crept Into My Consciousness" Singapore 50s With John Harper: Part One

John Harper

John Harper resides in York, England, plays bass guitar and lived in Singapore in the late 50s.   I met him recently with wife Ann where he recalled the times he spent on our sunny island.  When I asked him if he could share his music memories specially for this blog he agreed. Thank you John.

Part One:

The people we are today is the sum of all the influences on our life before today. Tomorrow we will be slightly different people because we have to add in today's influence. But, the difference will not be very much, because those influences of the past have already moulded and shaped us significantly along the way. Some of the influences that play a big part in moulding you include: your mother and father, where you have lived, the people you have met and the food, music and art you have experienced during that time.


"Killed him a b'ar when he was only three"

Probably the most crucial years are the years from the age of about 10 to 20 years of age. For me, two of those crucial years were spent in Singapore between the ages of 10 and 12 years old, arriving in Singapore in April 1957 and returning to the UK in July 1959. In this short series I'll be looking at the years just prior to our move to Singapore as Part 1, our time in Singapore as Part 2 and for the third part what was happening in the UK in the first few months of our return.


"Will we have rainbows day after day"

I had probably started to notice popular music in films and on the radio only a couple of years before we went to Singapore. This was possibly initiated by my mother taking my brothers and I to see films like “Davy Crockett”, “The Dambusters”, “The man Who Knew Too Much”, and probably that most influential of films for popular music that forever changed the mould; “Rock Around The Clock”.

By this time we were also listening to Radio Luxembourg which started the evening with a fifteen minute slot of "Dan Dare - Pilot Of The Future" fighting the evil green alien “The Mekon” before starting the evenings output of popular music. We were allowed to listen to Dan Dare and then to the music until it was time for bed.

The films introduced me to a variety of interesting music from the brand new thumping beat of “Rock Around The Clock”, to the gentler Doris Day number from “The Man Who Knew Too Much” “Que Sera, Sera” or whatever will be, will be.

"Put your glad rags on and join me hon"

When the Davy Crockett film came out everybody at school was singing the “Ballad of Davy Crockett” and some even wore Davy Crockett hats with the raccoon tail hanging down. Our aunt in Canada even sent us some printed Davy Crockett T shirts. I did not want to be different to all my class mates in those days and as they did not have T shirts like them I did not want to wear them publicly and actually kicked up such a fuss that they were put away. Somehow when they resurfaced when we got to Singapore and shirts with colourful patterns were the norm after school they were unpacked and worn with minimal fuss.

"Saying who can that fool be"

To this eclectic mix was added the theme from the "Dambusters" which had not really made much of an impact on me until my friend started playing it on a recorder and taught me how to play the first few bars. Further spicing the mix were a few tunes from the radio that had crept into my consciousness, "Cherry Pink and Apple Blossom White" played by the man with the golden trumpet a title Eddie Calvert justly deserved by following it up with another all time favourites of mine “Zambesi”. A few years later Zambesi reappeared in the superb format of a Hank Marvin arrangement for guitar by the Shadows, I think it was on about their third LP (On You Tube video below). 


"Branches of the two trees were intertwined"

Three songs popular in the UK before we left became popular in Singapore just about at the time that we arrived. They were Ann Shelton's “Lay Down Your Arms”, Eddie Fisher's “Cindy, Oh Cindy” and Johnnie Ray's “Walking In The Rain”. Because of the delay between songs being released in the UK and being released in Singapore and Australia releases wereabout six to twelve weeks behind what was popular in the UK. So, with these three songs we got to enjoy them all over again.
One song that I think was an exception to this sequence was “A Pub With no Beer” by Slim Dusty, recorded in Australia and distributed from Australia first. The flip side of it was an even folkier number called “Once When I Was Mustering”. More on this later.

"Nothing so lonesome, morbid or drear"

As you can see, my tastes are becoming wide and varied from the smooth hot brassy tones of Eddie Calvert, through the dulcet tones of Doris Day to the folksy nasal tones of Slim Dusty and I have barely started on the influences of the music I heard in Singapore.

The next article will cover 1957 and 1958.

CONNECT HERE for both:
http://singapore60smusic.blogspot.sg/2013/01/john-harpers-singapore-50s-music-trail.html

Original article: John Harper Copyrights Reserved.
Images: Google.
Captions: from song lyrics.

John contributes to Buzz:
https://profiles.google.com/117596378549583765811/buzz#117596378549583765811/buzz