|1950s Changi Village, Singapore|
|A 50's juke-box playing vinyl records|
This is where saxophones are beginning to raise their voices and I start to hear them and become interested in the saxophone, never did get round to learning to play one though! However my niece Deborah is a brilliant saxophonist, she actually played the saxaphone as she came down the aisle when she got married!
My own favoured instrument is the guitar and I have played bass guitar in a beat group (mid 60s term there) and played rhythm guitar in a few folk scenarios. With electric guitars I like a nice clean but twangy sound with bags of echo but do enjoy the sound of a good acoustic guitar played in a folky style. I think the twangy sound hit me when I first heard Duane Eddy playing "Rebel Rouser", it also has some evocative saxaphone working away contrapuntaly. Listening to it today it strikes me how it has a lot of amplitude tremolo and bags of echo.
|Young Connie Francis|
*Probably the greatest exponents of vocal harmony were the Everly brothers with "Bye Bye Love", "Wake Up Little Susie" and "Bird Dog". On the female front there are some nice harmonies going on on some of Connie Francis' records. I don't know whether this is another person singing with Connie or whether it is a second part sung by Connie and dubbed, However it was done, the effect is melodic and provides a warm richness to the music. Notable hits of this time, to me, were "Stupid Cupid" and "Who's Sorry Now".
|Tommy Steele - British Pops late 1950s|
|The Everly Brothers recorded album in mid 1966 but it didn't sell well.|
Original article: John Harper Copyrights Reserved.
Images: from Google.