Monday, February 07, 2011

New Orleans Jazz Bands And Chinese Funeral Bands

A Western Funeral Band from New Orleans

Below: 

A Chinese funeral band from Singapore
Taken at Kim Yam Road, 1970.
                        
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As a child I remember street music in Singapore which comes from Chinese funeral processions. These funeral bands play melodies from both Chinese and English pops. One particular pop song that I can still recall, Today, (You're) Not Coming Home (Jin Tian Bu Hui Jia 今天不回家), has been played so many times at Chinese funeral street marches that it's been accepted as the unofficial theme song for the occasion 

Books from the US that discuss the history of jazz music claim that jazz bands began from dance bands or social orchestras. These were African American bands that played on the streets in New Orleans, U.S.A. officiating at funeral processions. They play solemn music on the way to the burial yard and hot jazz on the way back.

It is common knowledge in the 60s that some Singapore band boys who play in the night-clubs freelance and work as funeral musicians in the day. Again the parallel; New Orleans dance orchestras do not confine themselves to playing in the ballrooms but played at funerals. Nothing to be ashamed of because it's honest living. These funeral bands could comprise from eight members onwards and the instruments included trumpets, trombones, snare drums and cymbals.

The Chinese funeral bands have the same number of people with similar instruments. During a bigger and longer procession at a Chinese funeral (indicating the wealth of the deceased), more instruments could be used, like the larger bass drums and a tuba. When questioned why music is played during such a tear-jerking occasion, the band members explain that the noise drives evil spirits away. Comment?

Original article: Andy Lim.  
潮州大锣鼓, Grand funeral procession 
@ Simei Singapore.
YouTube Video from: tengcc

1.11.2022

Richard Lincoln from Facebook Nostalgic Singapore contributed this short article:

The Chinese associations funeral bands were called 'Kong Kuan' and the jazz bands were 'Ang Moh Kong Kuan'. The Kong Kuan would pay their respects positioned in front of the coffin at the wake just before the funeral proceeds.

There are no music sheets. Every instrument is played from memory. Drum, gongs, cymbals, wind instruments. There's a slow starting tempo which builds up into a faster one and goes soft and slow with the wind section. Then it goes up a notch or two in tempo that culminated in a rousing crescendo of all the instruments. I believe the 'symphony' takes about twenty minutes from start to finish. 

Remembering as best I can from childhood.  

3.11.2022.

Richard Rajoo, a good friend and a guitarist says:

Just to add, these *Kong Kuans* mainly belong to the Chinese Clan Associations... They will present the BRASS BAND to commemorate the passing of one of their members, families or fellow associates, to announce their own membership.

Friends from other *Kong Kuans* sometimes contribute their TROUPEs also *as a matter of pride* for the deceased family, thereby creating a big problem for the authorities, in the way of traffic congestion, at times ending in squabbles as to their band's parade positions in the final funeral procession; and all *as a matter of pride*.

Police permits are required. Sometimes, family members are not notified of appearance of guest bands... adding to the neighbourhood's din. 

Not all will appreciate the *tong tong chiang*.

**********

Image 2: National Heritage Board, Singapore. 


Drum Master Slt Ben ban sian for Lay Teck Sia
YouTube Screen Shot from: TENGCC

Sunday, February 06, 2011

Looking Back: Country Music With Maxine Brown

THIS POSTING IS NOT AN ADVERTISEMENT
If you are not familiar with the music of the 50s and 60s Maxine Brown's Looking Back To See - A Country Music Memoir - is the book to grab from the shelves of our National Library. The Three Bells (1959) is one of the biggest hits of all time and gave Maxine Brown, her sister and brother international stardom. And the story begins...
Mini review:
Maxine Brown shared stages with everyone, from unknowns to the knowns like Rick Nelson and Elvis Presley. "She saw Elvis at the beginning of his incredible, tragic ride" when she devoted one full chapter to travels with the King.

Then there were Jim Reeves and Johnny Cash and pieces of advice - "Lousy bands can mess up the greatest singers..." - from the people she met during the times of boogie-woogie, swing music, television, horror movies, The Kennedys, space flight, hula hoops and "nickel Cokes."

Country Music People magazine says it all, "This is the story of The Browns... It is also the story of rip-offs, frustration money woes, and the harsh truths about fame... Told in a spunky, no-holds-barred, immensely readable style with plenty of juicy anecdotes (blurb)."

If you have the time and interested in country music, this is the book to check out. And who are the Browns, in case you are not familiar with them? Her book tells all.

Image: Cover of "Looking Back To See - A Country Music Memoir" by Maxine Brown, The University of Arkansas Press (2005), USA. From: National Library Board, Singapore. NLB: 782.421642

Original article: Andy Lim.

Thursday, February 03, 2011

The Trailers: Phoenix Theme: 中国新年凤凰歌


Seeing Double: 
For those readers who are familiar with Singapore pop music from the sixties, seeing two different covers of the same vinyl is not surprising. For those who aren't, here are two Chinese New Year red packets. This particular vinyl sold so well that they produced another lot but with a slightly different cover. Not a bootleg copy, definitely.

*44 Years Ago:
It was released exactly 44 years ago - in February 1967. The new Trailers member for this recording was Jimmy Chan, featured as the man on the keyboard. Chan was with the Flamingos Combo (remember them?) and replaced Michael Teo.

*This song was recorded 50 years ago by the Trailers, half a century ago. Wow! That was a long time back. The Trailers members should be in their sixties and seventies now. (Andy Lim: 8 January, 2017).

Victor Woo:
That's the story I have at the moment until Victor Woo comes back from his trip to tell me the real story, so for those interested the record from Cosdel contains: 

Phoenix Theme - Go Go Beat - EMI HongKong, 
Lara's Theme - Jarre and Albert, 
Ding Dong Song - Off Beat - Yao Ming n Bart, Peter Maurice 
Ali San - Off Beat - Formosan folk song, unknown

Line-up:
The back cover includes the Trailers line up for the vinyl: 

Victor Woo on lead 
Edmund on rhythm 
Eric Tan on bass
Jimmy Chan on the electric organ and piano
Tony Zee on drums and special guest
Robet Song on percussion instruments 

In case you are interested, record number is: CEP 3001. The songs were heard everywhere in Singapore and the rest of South East Asia after this vinyl was released. It was one of the most popular Chinese New Year records those years - more than 50,000 copies.  Double income.

Images: Andy Lim Collection.