Jose Mari Chan: 60s Music Man, Filipino Singer, Composer, Business Man, Philanthropist (Pt I)

In 1974 he was honoured with one of the Ten Outstanding Young Men (TOYM) titles from the Philippines. It was a Lifetime Achievement Awards from the Philippines Association Recording Industry and The Metro Pop Foundation. And it's not Freddie Aguilar.

Jose Mari Chan can be categorised as a mid-60s music man. He came into show biz in 1966 when he hosted and sang on a TV show called, 9 Teeners.

His first single Afterglow was released in 1967 and his first LP (long play vinyl) album Deep in My Heart was issued in 1969. In 1973 he represented the Philippines in the World Popular Song Festival in Tokyo with his song Can We Just Stop and Talk A While.

From 1970 to 1975, he composed more than 20 theme songs for movies and some earned him nominations at the Filipino Academy of Movie Arts and Sciences Award. He wrote commercial jingles and the well known ones were the Philippine Air Lines Love At Thirty Thousand Feet and the Alaska Milk jingle. He was also at his peak with a series of TV network specials spotlighting his lyrics and music.

 Just as popular in the US, and with his degree in Economics, he moved to America and concentrated on his own business and remained there for 11 years. When he came back to the Philippines in 1986, he recorded Tell Me Your Name. This 60s musician had connected himself to the younger generation.

In 1989 he recorded, Constant Change and it was named Album of the Year by the Awit Awards (Philippines), equivalent to the American Grammy Awards. Chan is an international star and has appeared in the big cities in the US including Vegas and Carnegie Hall. He won the hearts and ears of UK and European fans and most of Asia.

Followers have found this philanthropist's love songs refreshing, captivating, heart-warming and lyrical. A Love To Last A Lifetime, Can We Stop To Talk Awhile, Afraid For Love To Fade, Deep In My Heart, Is She Thinking About Me and the 2005 South East Asian Games theme song are just some of the many compositions he penned.

I am thinking about Aguilar (Anak) and Chan... Two totally different personalities but both touched the hearts of people around the world with their hauntingly beautiful songs.

To read about Freddie Aguilar, click Labels below.

Information: Wikipedia, http://www.josemarichan.net/

Rediffusion Request Programs in the 60s - The Larry Lai Interviews (Part IV)

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Nasi Goreng and Ox-Tail Stew:

(Image of Larry in his disco suit on the left.) It will take a myriad of postings to document Larry Lai's tales and adventures as a broadcaster, so I have decided to write snippets of what he told me in the past weeks while we were busy enjoying our nasi-goreng, ox-tail stew and mango-ice cream. These postings will never do justice to his varied and interesting career at Rediffusion and his expertise as a broadcaster in Singapore, but here goes.

Rediffusion Requesters:My chat with Larry in the 3rd interview ended when I asked him about Rediffusion requesters. Many Singapore youths who lived in the early 60s knew that it was fashionable among pop song requesters to have their lengthy, western names announced over the air. Cheap thrill if you call it, but it was youth culture then.

These ego-maniacs found it exciting to hear their names on the airwaves. When I discussed with Larry about Rediffusion 'friends' like, Elvis Jonathan Wee, Cliff Ricardo Tan and Cilla Debbie Soon, he explained that besides having unique names, they also had strange habits.

"When they found out where my future wife lived and where I parked my car during my visits to her home, they used my windscreen as a postbox, slipping their heavily decorated, request postcards between the wipers. Every morning it was extra work for me, as I had to clear the tons of mail accumulated. And if it rained the night before..."

He took his listeners seriously and made sure he answered every postcard and request for songs on air. Woe betide Larry Lai if he failed to do so because there would be repercussions. He would be in trouble... The requesters would write him nasty letters.

Larry remarked that oddities like these came with his work. But it made the only cable station in Singapore a hit with our 60s youths. The exceptionally popular request programme stretched from one to four hours daily.

Other Request Programmes:

There were many pop music request programmes those years. On radio there was Claude Doral with his, 'Saturday Date', Kingsley Morando (Mr Talentime) with, 'To Each His Own' and Maisie Concaecio with her morning 9am stint called, 'Calling All Hospitals.' where she answered requests for hospital patients. Larry had much competition those days but according to seniors today (they were young once), nothing beat Larry Lai's request programme on Rediffusion, where he really played the latest and the best.

(Only music and personalities from the 50s to the 70s are posted on this blog. This article is the fourth posting about Larry Lai. For 3 previous interviews Click Larry Lai under labels below.)

Image: Larry Lai Collection. (All rights reserved)

Original article: Andy Lim

'Oh Moby Dick Was So Big And Slick' - The Larry Lai Interviews (Part V)

*Moby Dick:

An idea cropped up in late 1967 when record hops became popular and the Singapore live music scene began to wane.

With local bands becoming more expensive and Phillipino bands taking over the night clubs, Larry thought it would be an ideal opportunity to start a mobile disco which made some business sense.

What was needed was a good sound system, lighting effects, a vehicle and a few a-go-go ladies. At the end of 1969, he partnered with a friend to set up the mobile discotheque. With quality speakers, custom-made power amplifiers, turn-tables, mixers and music sources, the business venture was set up.

Like the already popular Larry Lai branding, Moby Dick quickly became another household name. By the early 70s, the go-go girls were gyrating and patrons were:

"Prayin' for this moment to last,/Livin' on the music so fine,/Borne on the wind,/Makin' it mine, /Night fever, night fever... (Composers/Singers: Gibb Brothers)."

An agreement with the popular Kelong Restaurant at the Cathay Cinema to have Moby Dick's presence there, resulted in another successful venture by Larry.

And as the shimmering disco balls twirled in the strobe lights and the adrenalin was pumping in every disco-maniac's body, cash was flowing in. "Oh Moby Dick was so big and slick, There was never such a whale... (Frankie Laine)"

*Larry's favourite literary fiction by Herman Melville. Name 'Moby Dick' comes from 'Mob-ile Disco-theque'.

(This is the final posting on Larry Lai. For 4 previous interviews Click Larry Lai under labels below.)

Image: Larry Lai Collection. (All rights reserved)

Original article: Andy Lim